![]() ![]() The series was never about the mission to destroy the One Ring - it was about how the journey changed those who went on it. Away with you! ROTK treats its heroes like real people. People balked at the film’s multiple endings. Or this brief exchange between Legolas (Orland Bloom) and Gimli (John Rhys-Davies) that occurs before the climactic standoff before the Black Gates of Mordor: ROTK gives moviegoers their money’s worth with larger-than-life set pieces, dashing heroes, and eye-popping spectacle, but Jackson also spends just as much time wrapping up pivotal character arcs. When Samwise Gamgee (Sean Astin) walks inside his tiny Hobbit home in the Shire, a year removed from his perilous adventure with Frodo (Elijah Wood), and the words “The End” fill the screen, it’s a satisfying conclusion. Return of the King, however, stuck the landing - and then some. Each of these franchises started strong, hit their peak with a terrific middle chapter, and then flamed out with audiences (and critics) by the third entry. In the last two decades, moviegoers experienced the rise and fall of The Matrix, Sam Raimi’s Spider-Man, Planet of the Apes, Pirates of the Caribbean, and X-Men, among others. ![]() A few have come close, but none lived up to the massive expectations set by their predecessors. Since its release, other franchises have tried to match its epic scope.
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